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Поле DCЗначенняМова
dc.contributor.authorСкобнікова, Оксана Володимирівна-
dc.date.accessioned2019-06-27T11:35:45Z-
dc.date.available2019-06-27T11:35:45Z-
dc.date.issued2016-
dc.identifier.citationСкобнікова, О. В. Кіносценарій як об’єкт дослідження мовознавства / Скобнікова Оксана Володимирівна // International Scientific and Practical Conference «WORLD SCIENCE». – January 2016. – № 1(5). – Vol. 4. – P. 54–57. – [Proceedings of the IInd International Scientific and Practical Conference «Scientific and Practical Results in 2015. Prospects for Their Development (December 23–24, 2015, Abu-Dhabi, UAE»].uk
dc.identifier.issn2413-1032-
dc.identifier.urihttps://ela.kpi.ua/handle/123456789/28067-
dc.language.isoukuk
dc.sourceInternational Scientific and Practical Conference "World Science", 2016, №1(5), Vol. 4 [Proceedings of the IInd International Scientific and Practical Conference «Scientific and Practical Results in 2015. Prospects for Their Development (December 23–24, 2015, Abu-Dhabi, UAE»]uk
dc.subjectscreenplayuk
dc.subjectfilm scriptuk
dc.subjectfilm textuk
dc.subjectkreolized textuk
dc.subjectpolycode textuk
dc.subjectfilm dialogueuk
dc.subjectfilm discourseuk
dc.titleКіносценарій як об’єкт дослідження мовознавстваuk
dc.title.alternativeScreenplay as the object of research of linguisticsuk
dc.typeArticleuk
dc.format.pagerangeС. 54-57uk
dc.publisher.placeAbu-Dhabi, UAEuk
dc.description.abstractenThe term "screenplay" has been defined in this article. Lexicographical interpretation and origin of the term "screenplay" according to various lexicographical sources has been studied. Common and distinctive features of the terms "script" and "film script" have been distinguished. Views of the linguists on researching of cinematography as a combination of verbal and non-verbal means of expression have been studied. Verbal and nonverbal expression plans of the film script have been investigated. Signs that serve linguistic (signs-symbols) and non-linguistic systems of the movie (signs-codes and signs-icons) have been analyzed. Semantic levels allocated in film discourse such as photographic background image, iconic text and narrative text have been considered. Film text as a discrete sequence of continuous sections of a text has been researched. The term "kreolized text" has been observed. The term "polycode text" has been considered. The main means, which interaction creates a sense of a film, such as the speech stream, the visual image and the musical score have been studied. The terms "film discourse" and "cinematic discourse" have been distinguished. Structural components of the film script have been analyzed. The terms "film dialogue" and "film-verbal writing" and connection between them have been considered. The film script as a "pre-text" has been researched.uk
dc.publisherRS Globaluk
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